Just Four Feature (1973-1983)
Photo Gallery -
Band Lineups -
Discography
- Audio samples -
Where Are They Now?
The Story
Written by Gerry Gallagher
and Niall Power
The early 1970's were a time of tumultuous change on the Irish
entertainment scene. (Editor's note: in our short history of the
era, we have noted the early 1970's as the "transition years"
http://www.irish-showbands.com/history3.htm). Bands were
breaking up and reforming and some of the aging showband stars took
refuge in the growing cabaret scene initially in the big cities, but
slowly spreading across the country as pubs built huge extensions to
their premises creating a lucrative circuit for a new kind of
entertainment beyond the confines of ballad sessions and singalongs
and the "cabaret" scene exploded.
The old pubs, which had previously
been the domain of local groups, folk acts and in the larger venues
acts like The Dubliners,
Wolfe Tones,
Brendan Grace,
Johnny McEvoy, and
Danny Doyle
suddenly provided an opportunity for bands formed specifically to
provide a new form of entertainment where dancing was not the main
attraction for "punters." Comedy and variety, along with music,
began to take center stage.
In February,
1973
four musicians came together to form a band specifically designed
for this new market. The original lineup featured three members of
Art Supple's Victors: Des Hopkins (drums), Jimmy Byrne (guitar) and
Arthur O'Neill (sax), joined with bass player Danny O'Driscoll (who
would only be with the band for a month of so) to play their first
gigs. What made the band so "unique" at the time was the fact that
they could all sing and featured a wide range of instrumental music
as well.
Not only was the band
unknown when they started, but the cabaret scene/circuit was still
in its infancy so both the promoters and the artists were treading
new ground. It would take some time for venues to decide whether
booking cabaret acts would be right for them and whether their
patrons would be willing to pay a cover charge at the door (which
back then was fairly minimal).
The band also had to
figure out what they would play in their set. As former showband
musicians they were all used to playing a mix of country and pop,
learning the hits of the day as well as old standards, but that had
all been to get people dancing and cabaret was a new scene
altogether.
Their first gig was a private party
in the Hotel Keadeen in Newbridge on Friday, 9th February when their
lineup included friend Barry Cluskey on sax. The following Sunday
(the 11th) they played their first gig using the name "Just Four" at
a dance in Jimmy's home town of Castlecomer. Their fee
after expenses,
was used as
a deposit
on a
PA system for
the new group,
consisting of
two "Crazy
Box"
speaker cabinets, a Hi
Watt
power
amp,
a Binson
echo, along
with
some
microphones and stands.
Although the band was soon filling the diary with gigs, they
realised that to "make it" on the scene
they would need a lead singer.
Des had a younger brother, Billy, who was with the
Royal out of Waterford in their waning days and he was interested in
joining the band so Danny was let go and the band remained a
four piece.
Arthur
felt something was missing and suggested adding some comedy to their
show and started to incorporate some comedic elements to the
evening's entertainment which was met with approval by their growing
number of fans. They soon attracted the attention of Sean Clancy who
was already managing several top tier cabaret acts and he signed on
as the group's manager.
The band was soon
playing up and down the country in their two black Morris Minor
cars (no van yet for the group) with equipment tied to the roof
racks and crammed into the back seats. They would eventually
purchase a second hand van. The band soon had its first overseas
tour, playing Irish pubs in and around London, but it was fraught
with problems mostly from a transportation perspective. The band was
playing so much that first year, they hired a roadie named Sean Egan
to help with the equipment and driving. Sean would leave and a young
Niall Power would take his place.
In late 1973 the band
recorded one of their gigs in the Copper Beech in Edenderry and
released it as a live album on the Olympic record label calling it "Just
Four at the Copper Beech" in early 1974. As 1974 started both the
group and the cabaret circuit were exploding across the country. The
released their debut album in February and the gigs kept rolling in.
It wasn't long before the boys attracted the
attention of RTE and they were
offered a
slot on the
Anna
McGoldrick
Show. Recorded on
26th February,
and broadcast on 21st
June 1974,
where
they performed a
medley of
songs.
After
the success
of
their first
album,
a second
live
album
was recorded
in July called
‘Welcome
To Pedigree
Corner,’ and
once again it
was
released on
Olympic
records. It
featured Just
Four, playing
alongside and also
backing some
of the other
acts that
evening. All
the artists
featured played
regularly at
Pedigree
Corner.
The
23rd
Of
October
saw the band
appearing on
RTE Television
once again,
recording the popular
light entertainment
program,
The Likes
Of
Mike
with host
Mike
Murphy.
This show
also featured
singers Twink
and Des
Smith
and was
broadcast on the 7th
November.
In 1975, the band undertook several tours of English clubs in
London, Liverpool and Birmingham, becoming a hit act on that
circuit.
In
June 1975, the band finally released its first single, a cover
of "Glad All Over" originally by the Dave Clark Five with Herb
Alpert's "Tijuana Taxi" on the B-side. The record would reach
number 17 on the Irish charts but would only stay in the charts for
two weeks, making it a minor hit, but a chart hit all the same,
something not many showbands achieved back in the early 1970's.
Around this time, the band signed with Dublin manager, Noel
Carty, who was already managing the
Magic Band and Brendan Shine.
As
the band played gigs into 1976, everything was going well. They
had several residencies but as the cabaret scene began to peak,
they were traveling hundreds of miles every week and would go
through several "wagons" in the process. In March, they did
another brief tour of England around St. Patrick's Day
festivities. Their next single would not appear until 1977
when they released "Putting the Bad Times Behind Me" on the Ruby
label but unlike their first offering, it did not make the
charts.
March
1978 saw the
band release another
record. This
song called
‘The Tellyman,’
was a
parody,
written
by Kevin
Farrell from
the Copper Beech in
Edenderry, and released
on the Bandbox
label. It
was
a tongue-in-cheek
effort aimed at getting
people to
purchase a
television license.
The song
received
considerable airplay on
national
radio, but
it failed
to
make
the
charts.
1979
was
probably the
most
notable and
prestigious year
in the band's
history. In April,
the ‘Irish
Music
Scene’ awards
concert
was held
at the National
Ballroom
in
Kilburn,
where
Just
Four
were
the recipients
of
the top
cabaret
act
to
visit
Britain
for
the
year
1978/79.
The show was hosted
by BBC
Radio
D.J.,
Pete
Murray,
who
presented the
award to
the band. October
1st saw the
band fulfill
what
would
be a
dream gig for any musician,
when
they performed their show
at London’s
Royal Albert
Hall.
This
event, known as the ‘Blake’
variety
concert,
was
held to
mark
the ‘Year of the Child,’
with
upwards
of 5,000
people attending. After
a few
weeks
at
home,
the band's
whirlwind
year continued as they were back
in London
in early
November,
to appear as
special guests on
the Val
Doonican
show,
at the
Wembley
Conference
Centre,
where
they
played
the
first
half
of
the show.
As the 1980's
started, the Irish entertainment scene was in a tailspin. Money
was tight and this would be the "beginning of the end" for both
the cabaret and ballroom circuits.
Two
singles
were
released
during 1981.
The first
was
‘Brian Boru,’
written
by
RTE
broadcaster and TV
sports
presenter
Brendan
O’Reilly. Released
on
Glenside
records,
this
song
was
entered
for
the
Cavan
International song contest
in April 1980
and performed
by Just
Four, who
duly
won
the competition.
The second
release
was
an attempt
at the Christmas
charts,
with a song
written
by
Showband
veterans
Danny
Ellis and
Red Hurley
called ‘Will
you Marry
Me For
Christmas.’
Produced by
Dick Keating and released
on
the
bands
own
label,
Lillywhite
Records.
It
didn’t
receive
much
airplay on
national radio
and it
would
be the
last record
that Just Four
released.
Although the band continued to tour the UK for the next couple
of years, the writing was on the wall both at home and abroad.
Some Irish bands would head off to places like South Africa,
Spain or Mexico to stay solvent but most just threw in the
towel. Just Four would be no different and in 1983, they decided
to go their separate ways.
Four
UK tours
were
undertaken during the bands
final year,
and a unanimous decision
was
made to
split up in
the coming
autumn.
A notable
highlight during
this year
was their
appearance at
the open
air Irish
festival concert in
Roundwood
Park,
Willesden,
with thousands in attendance.
The very
last Just
Four performance
was
in Ramsbottoms
Pub, in
Stradbally, Co Laois,
on Thursday
20th
October
1983.
With
no formal
announcement
preceding this gig
in the
press,
Des
just announced from
the stage to the audience
that this
was
to be
their last gig
as Just
Four. The
final song
played by
the band
was
a tune called ‘Stealaway,’
a recent
chart hit
for the
Furey
Brothers.
The
lads just
packed away
their gear
for the last
time and went
home.
After
10
years
and 9
months,
the reign
of
Just
Four
was
over.
Undoubtedly
Ireland’s
best
Cabaret
act, they
broke
the mould
when
it came
to live
performances,
and the rest
could only follow
their lead.
Des
and
Billy returned
to the
stage as
the ‘Hopkins
Brothers,’ and
continued performing
as a
duo for
the next 25
years. They
would
probably still
be playing together
today,
were
it not for
the untimely
passing of Billy in
2010. Des
has always
kept the
flag flying for
his first
love, ‘Trad
Jazz,’ and
alongside his fellow Jazz
musicians,
they play
regular gigs
around the
country.
Most
noteworthy is
their yearly
appearance
every
October at the
Cork
Jazz Festival.
Jimmy
worked
for a
while
in a
bank, before
returning to the
music scene
to play
with
artists
like Two’s
Company,
The
Big
Three and
also the
Art
Supple
band.
Nowadays,
he’s
still
active,
playing
the
music
for his
local pantomime
troupe and
teaching guitar in
his native
Castlecomer.
Arthur
relocated
to
Doncaster
in
England
where
he
worked
as
a bricklayer for a
time.
Later, upon
returning to Ireland, he
played
with
an adult
dancing band called
‘Ena and the
Moonshiners.’
From time
to time,
Arthur
also
stepped
in
as
a
guest
musician
with
the
Hopkins
Brothers.
He
is still
out
there
today
playing
his
music
at corporate
functions and other
events.
More to come.....
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